{"id":7,"date":"2014-01-09T20:10:10","date_gmt":"2014-01-09T20:10:10","guid":{"rendered":"http:\/\/markmelvillemusic.com\/?page_id=7"},"modified":"2026-04-20T13:44:56","modified_gmt":"2026-04-20T13:44:56","slug":"about","status":"publish","type":"page","link":"https:\/\/markmelvillemusic.com\/?page_id=7","title":{"rendered":"Credits"},"content":{"rendered":"\n

Mark Melville is an award winning composer and sound designer for theatre, dance and film and trained at Leeds Conservatoire.<\/span><\/p>\n\n\n\n

His composition and sound design work has been presented throughout the UK and internationally and exhibited at the V&A Museum and the Prague Quadrennial Design Festival.<\/span><\/p>\n\n\n\n

Mark is also a Creative Associate with Vanishing Point Theatre<\/a> and a member of the Association of Sound Designers.<\/span> <\/p>\n\n\n\n

Listen to music examples <\/mark>here<\/a>.<\/p>\n\n\n\n

CURRENT WORK<\/h2>\n\n\n\n

THE FIFTH STEP (WEST END TRANSFER)<\/mark><\/strong><\/a> – Written by David Ireland. Directed by Finn den Hertog. Produced by Playful Productions, Neal Street Productions and National Theatre of Scotland.<\/span><\/span> <\/p>\n\n\n\n

In cinemas for NT Live from November 27th.<\/a> Watch the trailer<\/mark> here<\/a>.<\/p>\n\n\n\n

Double Double<\/a> –<\/strong> The Barn Theatre<\/span>. Written by Rick Elice & Roger Rees. Directed by Ryan McBryde. <\/mark><\/p>\n\n\n\n

WHAT I’M HERE FOR<\/a><\/strong><\/span><\/strong> <\/mark>– Teater Katapult, Denmark & <\/u>Vanishing Point Theatre.<\/mark><\/span> Written by Josephine Eusebius. Directed by Matthew Lenton.<\/mark> \u201c\u2605\u2605\u2605\u2605 Life-and-death choices are taken to gothic heights in this intense, atmospheric high-precision production\u201d<\/em> – The Guardian<\/em> \u201c\u2605\u2605\u2605\u2605<\/em> Glasgow\u2019s Vanishing Point has made this a clear mission statement in its 20-plus-year history \u2013 and as its latest co-production emphasises, there can be immense power in the bringing together of disparate voices for the exploration of universal themes.\u00a0\u201d<\/em> – The Stage<\/em> \u201c\u00a0\u2605\u2605\u2605\u2605\u2605 The whole experience is of such perfectly-shaped intensity that it seems to come and go in a moment, leaving the audience almost breathless, as they begin to absorb its impact.\u201d<\/em> – The Scotsman<\/em><\/mark><\/strong><\/p>\n\n\n\n

ZOG Live on Stage! UK Tour<\/a> –<\/strong>Written by Julia Donaldson & Axel Scheffler. Directed by Ryan McBryde. Produced by Freckle Productions in association with Rose Theatre.<\/mark><\/p>\n\n\n\n

FLIGHT<\/a><\/strong><\/span><\/strong> <\/mark>– Vox Motus.<\/mark><\/span> Directed by Jamie Harrison & Candice Edmunds. \u201cStrange, exquisite and intensely affecting\u2026 a triumph of visual and aural design\u201d \u2013<\/strong><\/em><\/mark> <\/a><\/strong><\/em>New York Times<\/a><\/strong>.<\/em><\/p>\n\n\n\n

2025<\/h2>\n\n\n\n

THE INVITE<\/a><\/strong><\/span><\/strong> <\/mark>– Mind the Gap\/Bradford City of Culture, 2025.<\/mark><\/span> Directed by Rich Rusk<\/mark>.<\/p>\n\n\n\n

LITTLE GIFT (AUTUMN TOUR)<\/a><\/strong><\/span><\/strong> <\/mark>– M6 Theatre.<\/span> Directed by Gilly Baskeyfield\/Andy Manley. Puppets by Shona Reppe. For ages 3-10 years. “A wonderfully emotional show” – The Skinny<\/em><\/strong>. “A kindly and magical 50 minutes” – The Scotsman<\/em><\/strong><\/mark><\/p>\n\n\n\n

CONFESSIONS OF A SHINAGAWA MONKEY<\/strong><\/mark><\/a> (SCOTTISH TOUR)<\/mark><\/strong> – Vanishing Point Theatre & Kanagawa Arts Theatre (KAAT), Japan.<\/span> Written by Matthew Lenton, Sandy Grierson & Nozomi Abe. Based on the short stories of Haruki Murakami. Directed by Matthew Lenton. <\/span>Nominated for CATS Award for Best Music and Sound<\/a><\/em>. “A near-perfect coming together of text, staging and performance… This production is an absolutely enthralling, deeply moving testament to the possibilities of international theatrical collaboration” <\/em>\u2605\u2605\u2605\u2605\u2605 – The National. <\/em><\/strong>\u201cA stunning piece of total theatre\u201d<\/em> \u2605\u2605\u2605\u2605\u2605 – The Scotsman. <\/em><\/strong>\u201cAn ambiguous and enchanting theatrical experience\u201d<\/em> \u2605\u2605\u2605\u2605 – The Stage<\/em><\/strong><\/span> Nominated for UK Theatre Awards ‘Best Design’<\/a><\/p>\n\n\n\n

DARWIN, NEVADA <\/mark><\/a><\/strong> – Piccolo Theatre, Milan \/ Emilia Romagna Teatro \/ Teatro Nazionale \/ Jolefilm \/ Teatro Stabile I Bonanza, Vanishing Point<\/span> in colloboration with performer Marco Paolini. Directed by Matthew Lenton. <\/span><\/p>\n\n\n\n

THE WIZARD OF OZ<\/a><\/strong><\/span><\/strong> <\/mark>– Theatre by the Lake.<\/mark><\/span> Directed by Sarah Punshon.<\/mark><\/p>\n\n\n\n

THE INCIDENT<\/a><\/strong><\/span><\/strong> <\/mark>– M6 Theatre (short film).<\/mark><\/span> Directed by Nick Farrimond.<\/mark><\/p>\n\n\n\n

STEEL<\/strong><\/mark><\/a> <\/mark>– Theatre by the Lake<\/span> (National Tour). Written by Lee Mattinson. Directed by Liz Stevenson. \u2605\u2605\u2605\u2605 – The Stage <\/strong>‘Beautiful and breath-stopping’<\/em><\/span>. Nominated for UK Theatre Awards ‘Excellence in Touring’<\/a><\/p>\n\n\n\n

2024<\/span><\/h2>\n\n\n\n

CONFESSIONS OF A SHINAGAWA MONKEY \u54c1\u5ddd\u733f\u306e\u544a\u767d<\/strong><\/a> – Vanishing Point Theatre & Kanagawa Arts Theatre (KAAT), Japan.<\/span> Written by Matthew Lenton, Sandy Grierson & Nozomi Abe. Based on the short stories of Haruki Murakami. Directed by Matthew Lenton <\/span><\/p>\n\n\n\n

STEEL<\/a><\/strong> – Theatre by the Lake.<\/span> Written by Lee Mattinson. Directed by Liz Stevenson. \u2605\u2605\u2605\u2605 – The Stage <\/strong>‘Beautiful and breath-stopping’<\/em><\/span><\/p>\n\n\n\n

THE FIFTH STEP<\/a><\/strong> – National Theatre of Scotland\/Edinburgh International Festival<\/span>. Written by David Ireland. Directed by Finn den Hertog. \u2605\u2605\u2605\u2605\u2605 – British Theatre Guide. \u2605\u2605\u2605\u2605 – The Guardian. \u2605\u2605\u2605\u2605\u2605 – WhatsOnStage. \u2605\u2605\u2605\u2605\u2605 – The List. \u2605\u2605\u2605\u2605\u2605 – The Observer.<\/em><\/strong><\/em><\/span><\/p>\n\n\n\n

LOVE THE SINNER<\/a><\/strong><\/span> – Imogen Stirling\/Vanishing Point.<\/span><\/span> Autumn 2024 tour. Directed by Matthew Lenton. <\/span>\u2605\u2605\u2605\u2605\u2605 – The Stage. \u2605\u2605\u2605\u2605\u2605 – The Herald. <\/strong>\u2605\u2605\u2605\u2605\u2605 \u201cA 70-minute ecstasy of words, sounds, light and brilliant design\u201d – The Scotsman. <\/strong><\/span><\/em><\/p>\n\n\n\n

R&D<\/strong> – Mind the Gap Theatre<\/span><\/span><\/p>\n\n\n\n

MIDSUMMER<\/a><\/strong> – Mercury Theatre<\/span>. Directed by Ryan McBride. \u2605\u2605\u2605\u2605\u2605 – British Theatre Guide.<\/strong><\/em><\/span><\/p>\n\n\n\n

R&D<\/strong> – Theatre by the Lake\/Grace Kirby<\/span><\/span><\/p>\n\n\n\n

R&D<\/strong> – Kanagawa Arts Theatre <\/span>Yokohama, Japan<\/span><\/p>\n\n\n\n

R&D<\/strong> – National Theatre Studio<\/span><\/span><\/p>\n\n\n\n

R&D<\/strong> – Vox Motus<\/span><\/span><\/p>\n\n\n\n

KIN<\/a>  <\/a><\/strong>– Gecko Theatre\/National Theatre<\/span>. Opening premiere at the Lyttleton theatre, January 2024. Directed by Amit Lahav. Now streaming on National Theatre at Home<\/a><\/strong><\/span><\/span><\/p>\n\n\n\n

2023<\/span><\/h2>\n\n\n\n

AROUND THE WORLD IN 80 DAYS<\/a><\/strong> – Octagon Theatre<\/span>  Directed by Kash Arshad.<\/span><\/p>\n\n\n\n

ROMEO AND JULIET<\/a><\/strong> – Royal Exchange<\/span>  Directed by Nicholai Le Barrie.<\/span><\/p>\n\n\n\n

KIN<\/a><\/strong> – Gecko Theatre<\/span> (commissioned by the National Theatre) Autumn preview Tour. Directed by Amit Lahav.<\/span><\/p>\n\n\n\n

EVERY BRILLIANT THING<\/a><\/strong> – Theatre by the Lake<\/span>. Directed by Liz Stevenson.<\/span><\/p>\n\n\n\n

NEST<\/a><\/strong><\/span> – M6 Theatre.<\/span><\/span> Directed by Gilly Baskeyfield. \u2605\u2605\u2605\u2605 – The Stage.<\/strong><\/em><\/span><\/p>\n\n\n\n

LOVE THE SINNER<\/a><\/strong><\/span> – Imogen Stirling\/Vanishing Point.<\/span><\/span> Directed by Matthew Lenton. <\/span>\u2605\u2605\u2605\u2605\u2605 – The Stage. \u2605\u2605\u2605\u2605\u2605 – The Herald. <\/strong>\u2605\u2605\u2605\u2605\u2605 \u201cA 70-minute ecstasy of words, sounds, light and brilliant design\u201d – The Scotsman. <\/strong><\/span><\/em><\/p>\n\n\n\n

THEY DON’T PAY? WE WON’T PAY!<\/a><\/strong><\/span> – Mercury Theatre.<\/span> Directed by Ryan McBride. \u2605\u2605\u2605\u2605\u2605 – The Stage<\/a>.<\/strong><\/em><\/span><\/p>\n\n\n\n

KIN<\/a><\/strong><\/span> – Gecko Theatre<\/span> (commissioned by the National Theatre) Spring preview Tour. Directed by Amit Lahav.<\/span><\/p>\n\n\n\n

2022<\/span><\/h2>\n\n\n\n

THE SNOW QUEEN<\/a><\/strong><\/span> – Storyhouse<\/span>. Directed by Hannah Noone.<\/span><\/p>\n\n\n\n

KIN<\/a><\/strong><\/span> – Gecko Theatre<\/span> (commissioned by the National Theatre) Preview Tour. Directed by Amit Lahav.<\/span><\/p>\n\n\n\n

EXODUS<\/a><\/strong><\/span> – National Theatre of Scotland<\/span>. Directed by Debbie Hannan<\/span><\/p>\n\n\n\n

UNTITLED NEW PROJECT<\/strong><\/a>:<\/span> Kanagawa Arts Theatre (KAAAT), Yokohama, Japan & Vanishing Point Theatre. Directed by Matthew Lenton<\/span><\/p>\n\n\n\n

NEW SHOW DEVELOPMENT<\/a> <\/strong><\/span>– Gecko Theatre<\/span> (commissioned by the National Theatre). Directed by Amit Lahav.<\/span><\/p>\n\n\n\n

THE METAMORPHOSIS<\/a> <\/strong>– (Scottish Tour). International co-production with Vanishing Point<\/span>, Tron Theatre<\/span> and Emilia Romagna Teatro<\/span>, Italy. Directed by Matthew Lenton. \u2605\u2605\u2605\u2605\u2605 The Scotsman<\/a><\/strong><\/em> ‘Superb and haunting lighting and sound by Simon Wilkinson and Mark Melville complete the impact of this consummate piece of theatrical poetry’ <\/em> \u2605\u2605\u2605\u2605\u2605 The Stage<\/strong><\/a><\/i> ‘The design is perfect, from Mark Melville\u2019s cold but searingly emotive electronic score’ <\/i>\u2605<\/em>\u2605\u2605\u2605\u2605 The Times<\/a><\/strong> ‘Much of the show\u2019s power is purely visceral, with Simon Wilkinson\u2019s woozy lighting coming together with the insinuating sound design, composed by Mark Melville, to create a vision that is unnerving without ever feeling strained’ <\/em><\/span><\/p>\n\n\n\n

FLIGHT<\/a> <\/strong>– Vox Motus<\/span>. Directed by Jamie Harrison Candice Edmunds. The Studio Theatre, Washington DC. December 2021 to March 2022. “Profoundly imaginative… unforgettable in both content and form” – The New Yorker<\/a><\/strong>. “A deeply important and innovative work” – The Stage<\/a><\/strong>. <\/i><\/span>“Mark Melville\u2019s pulsating, swelling score elevates the experience, as does his crisp sound design” – The Washington Post<\/a><\/span><\/strong> “Strange, exquisite and intensely affecting” – The New York Times<\/a><\/strong><\/i><\/span><\/p>\n\n\n\n

HAPPY MEAL<\/strong> (Vaults Festival) – Directed by Matt Harrison.<\/span><\/p>\n\n\n\n

PEBBLE ON THE BEACH<\/strong> <\/a>(UK spring tour) – M6 Theatre<\/span>. Directed by Gilly Baskeyfield.<\/span><\/p>\n\n\n\n

FOX AND BADGER<\/strong> (podcast series) – Ragged Edge Productions<\/span>. Directed by Stefan Escreet.<\/span><\/p>\n\n\n\n

2021<\/span><\/h2>\n\n\n\n

THE METAMORPHOSIS<\/a> <\/strong>– Presented at Teatro Bonci, Italy. International co-production with Vanishing Point<\/span>, Tron Theatre<\/span> and Emilia Romagna Teatro<\/span>, Italy. Directed by Matthew Lenton. <\/span><\/p>\n\n\n\n

AUDIO BOOK R&D<\/strong> – Paul Tinto. Directed by Debbie Hannan<\/span><\/p>\n\n\n\n

NEW SHOOTS: LIFE AFTER LOCKDOWN (<\/b><\/span>exhibition)<\/span><\/span><\/b><\/a> – Theatre by the Lake<\/span> . Directed by Louie Whitemore.<\/span><\/p>\n\n\n\n

WELCOME TO BYKER<\/strong><\/span> – Northern Stage<\/span>. Directed by Louie Ingham. (CANCELLED THROUGH COVID)<\/span><\/p>\n\n\n\n

NEW SHOW DEVELOPMENT<\/a> <\/strong><\/span>– Gecko Theatre<\/span> (commissioned by the National Theatre). Directed by Amit Lahav.<\/span><\/p>\n\n\n\n

FLIGHT<\/a> <\/strong>– Vox Motus<\/span>. Directed by Jamie Harrison Candice Edmunds. Co-presented by The Barbican & The Bridge Theatre, London. May 2021. <\/span><\/p>\n\n\n\n

GREATEST PLAY IN THE HISTORY OF THE WORLD…<\/a><\/span> (UK Tour) <\/strong>– Tara Finney Productions<\/span>. With Julie Hesmondhalgh. Directed by Raz Shaw. \u2605\u2605\u2605\u2605 “<\/em>If you get the chance to see, seize it” – The Observer<\/em><\/span><\/p>\n\n\n\n

ASSEMBLE HERE<\/a> <\/strong>(audio dramas)- Theatre by the Lake<\/span>. Directed by Fay Lomas and Taio Lawson.<\/span><\/p>\n\n\n\n

PEBBLE ON THE BEACH<\/a> <\/strong>– M6 Theatre<\/span>. Directed by Gilly Baskeyfield.<\/span><\/p>\n\n\n\n

THREE LOUD KNOCKS<\/a> <\/strong>(Short Films) – Beggars Belief Collective<\/span>. Directed by James Arden.<\/span><\/p>\n\n\n\n

DIFFICULT CONVERSATIONS<\/a> <\/strong>(Short Films) – Theatre Uncut<\/span>. Directed by Emma Callander and Nina Ross.<\/span><\/p>\n\n\n\n

2020<\/span><\/h2>\n\n\n\n

TOOLS FOR CHANGE<\/a><\/strong> (Short Films) – Theatre Uncut\/Traverse Theatre<\/span>. Directed by Suhaiymah Manzoor-Khan, Daisy Ifama, Gbolahan Obisesan, Emma Callander.<\/span><\/p>\n\n\n\n

BYKER AUDIO STORIES<\/strong> <\/a>– Northern Stage<\/span>. Directed by Louie Ingham.<\/span><\/p>\n\n\n\n

WHEN THE WORLD IS LOUD<\/a> <\/strong>– Mortal Fools<\/span>. An interactive audio experience on Apple podcasts, Spotify and Podbean.<\/span><\/p>\n\n\n\n

KEEPING THE LIGHTS ON<\/strong> – Ragged Edge Productions<\/span>. Directed by Stefan Escreet. (Remotely recorded radio adaptation)<\/span><\/p>\n\n\n\n

THE KNOCK<\/strong><\/a> (film) – BFI<\/span>. Directed by Curtis Cole.<\/span><\/p>\n\n\n\n

THE METAMORPHOSIS<\/a> <\/strong>– International co-production with Vanishing Point<\/span>, Tron Theatre<\/span> and Emilia Romagna Teatro<\/span>, Italy. Directed by Matthew Lenton. UK TOUR POSTPONED THROUGH COVID-19<\/span><\/span><\/p>\n\n\n\n

WHERE DO WE GO NOW?<\/strong> – Northern Stage<\/span>. Directed by Louie Ingham. CANCELLED THROUGH COVID-19<\/span><\/p>\n\n\n\n

A LITTLE SPACE<\/a> <\/strong>– Gecko Theatre\/Mind The Gap<\/span>. Directed by Dan Watson, Rich Rusk (Gecko), and Charli Ward, Karen Bartholomew (Mind The Gap). TOUR POSTPONED THROUGH COVID-19<\/span><\/p>\n\n\n\n

FLIGHT<\/strong><\/a> –Tempe Centre for the Arts<\/span>, Arizona, US, as part of Beyond Festival – Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds.<\/span><\/p>\n\n\n\n

THE STORM<\/strong> – M6 Theatre<\/span>. Directed by Caroline Kennedy. POSTPONED THROUGH COVID-19<\/span><\/p>\n\n\n\n

WILT<\/a><\/strong> – Theatre by the Lake<\/span>. Directed by Liz Stevenson. CANCELLED THROUGH COVID-19<\/span><\/p>\n\n\n\n

DROWN YOUR EMPTY SELVES<\/a><\/strong> – Theatre by the Lake<\/span>. Directed by Kash Arshad. CANCELLED THROUGH COVID-19<\/span><\/p>\n\n\n\n

2019<\/h2>\n\n\n\n

THE GREATEST PLAY IN THE HISTORY OF THE WORLD<\/a> (West End Transfer) <\/strong>– Tara Finney Productions. With Julie Hesmondhalgh. Directed by Raz Shaw.<\/span><\/p>\n\n\n\n

PRIDE AND PREJUDICE<\/strong> – Directed by Abigail Anderson. Remounted version for Chung Ma Art Theatre, Seoul, South Korea.<\/span><\/p>\n\n\n\n

LITTLE GIFT <\/a><\/strong>– M6 Theatre\/The Lowry Theatre. Directed by Andy Manley. Puppets by Shona Reppe. Touring to Tramshed, London.<\/span><\/p>\n\n\n\n

1984<\/a><\/strong> – Emilia Romagna Teatro Fondazione. Directed by Matthew Lenton. Re-mounted Italian tour.<\/span><\/p>\n\n\n\n

THE PANOPTICON<\/a> <\/strong>– National Theatre of Scotland. Directed by Debbie Hannan.<\/span><\/p>\n\n\n\n

FLIGHT<\/strong> -Transfer to NYUAD Arts Centre, Abu Dhabi – Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds.<\/span><\/p>\n\n\n\n

GUARDS AT THE TAJ<\/strong> – Theatre by the Lake. Directed by Kash Arshad. ‘…<\/em>subtle and intangible, or strident and evocative, much like Mark Melville\u2019s clever and haunting sound design<\/em>‘ – British Theatre Guide review<\/a>. ‘Mark Melville\u2019s composition and sound give a strong sense of the immense stakes being played for, and drives the play\u2019s sudden shifts of tone’ – <\/em>The Stage review<\/a><\/span><\/p>\n\n\n\n

THE CHILDREN <\/strong><\/a>– Theatre by the Lake. Directed by Stefan Escreet \u2605\u2605\u2605\u2605 – The Stage ‘…driven by Mark Melville\u2019s eerily powerful sound design<\/em>‘<\/span><\/p>\n\n\n\n

FLIGHT<\/strong> -Transfer to Brighton Festival – Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds.<\/span><\/p>\n\n\n\n

WHERE DO WE BELONG?<\/strong> – Northern Stage. Directed by Louie Ingham.<\/span><\/p>\n\n\n\n

2018<\/span><\/h2>\n\n\n\n

LITTLE GIFT <\/a><\/strong>– M6 Theatre\/The Lowry Theatre. Directed by Andy Manley. Puppets by Shona Reppe.<\/span><\/p>\n\n\n\n

1984<\/a><\/strong> – Emilia Romagna Teatro Fondazione. Directed by Matthew Lenton – Autumn tour: Teatro Palamostre, Udine. Teatro Bonci, Cesena. Teatro Bellini, Napoli.<\/span><\/p>\n\n\n\n

FLIGHT<\/a><\/strong> -Transfer to Melbourne International Arts Festival (October, 2018). Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds<\/span><\/p>\n\n\n\n

ROAD <\/a><\/strong>– Leeds Playhouse. Directed by Amy Leach<\/span><\/p>\n\n\n\n

THE GREATEST PLAY IN THE HISTORY OF THE WORLD<\/a> (part of the festival programme at The Traverse Theatre)<\/strong>– Tara Finney Productions. With Julie Hesmonhalgh. Directed by Raz Shaw<\/span><\/p>\n\n\n\n

GREAT EXHIBITION OF THE NORTH <\/a><\/strong>– Northern Stage. Directed by Louie Ingham<\/span><\/p>\n\n\n\n

FLIGHT<\/a> <\/strong>-Transfer to Galway International Arts Festival. Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds<\/span><\/p>\n\n\n\n

OUT THERE<\/strong> (silent disco audio walk) – Mortal Fools. Produced by Helen Ferguson<\/span><\/p>\n\n\n\n

THE MANCHESTER PROJECT<\/a><\/strong> – Monkeywood Theatre\/HOME\/River Stage, National Theatre. Directed by Martin Gibbons<\/span><\/p>\n\n\n\n

1984<\/a><\/strong> – Emilia Romagna Teatro Fondazione. Directed by Matthew Lenton<\/span><\/p>\n\n\n\n

WHERE DO WE STAND?<\/strong> – Northern Stage. Directed by Louie Ingham<\/span><\/p>\n\n\n\n

FRANKENSTEIN<\/a><\/strong> – Royal Exchange Theatre. Directed by Matthew Xia<\/span><\/p>\n\n\n\n

FLIGHT<\/a> <\/strong>-Transfer to The McKittrick, New York. Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds<\/span><\/p>\n\n\n\n

2017 & beyond<\/span><\/h2>\n\n\n\n

THE GREATEST PLAY IN THE HISTORY OF THE WORLD<\/a> <\/strong>– Royal Exchange Theatre. With Julie Hesmonhalgh. Directed by Raz Shaw<\/span><\/p>\n\n\n\n

RULES FOR LIVING<\/strong> – English Touring Theatre. Directed by Simon Godwin<\/span><\/p>\n\n\n\n

FLIGHT <\/strong>– Vox Motus\/Edinburgh International Festival. Directed by Jamie Harrison and Candice Edmunds<\/span><\/p>\n\n\n\n

BIRTH <\/strong>– (Remounted for the Edinburgh Festival at the Traverse Theatre). Directed by Emma Callander<\/span><\/p>\n\n\n\n

CHARLIE SONATA <\/strong>– Edinburgh Royal Lyceum. Directed by Matthew Lenton<\/span><\/p>\n\n\n\n

PINOCCHIO<\/a> <\/strong>– The Dukes Theatre. Directed by Louie Ingham<\/a><\/span><\/p>\n\n\n\n

BIRTH<\/a> <\/strong>– Royal Exchange Theatre. Directed by Emma Callander<\/span><\/p>\n\n\n\n

THE DESTROYED ROOM<\/a><\/strong> – Vanishing Point\/Battersea Arts Centre\/Edinburgh International Festival. Directed by Matthew Lenton<\/span><\/p>\n\n\n\n

HUMAN ANIMALS<\/a> <\/strong>– Royal Court. Directed by Hamish Pirie<\/span><\/p>\n\n\n\n

SUPER SLOW WAY AUDIO INSTALLATION<\/a> <\/strong>– Sound and Motion. Directed by Louie Ingham & Mark Melville. Listen on soundcloud here<\/a><\/strong><\/span><\/p>\n\n\n\n

RECOMMISSIONED<\/a> <\/strong>– Lancaster City Museum\/Light Up Lancaster\/Sound and Motion. Directed by Louie Ingham. Further details here<\/strong><\/a><\/span><\/p>\n\n\n\n

POINT TO POINT<\/a><\/strong> – Lakes Culture. Directed by Louie Ingham & Mark Melville. Listen on soundcloud here<\/a><\/strong><\/span><\/p>\n\n\n\n

THE OCKERBYS ON ICE<\/a> <\/strong>– The Dukes Theatre. Directed by Joe Sumsion<\/span><\/p>\n\n\n\n

THE CRUCIBLE<\/a><\/strong> – The Dukes Theatre. Directed by Louie Ingham<\/span><\/p>\n\n\n\n

WIT<\/a> <\/strong>– Royal Exchange Theatre. Directed by Raz Shaw. Winner of UK Theatre Award and MTA Award<\/span><\/p>\n\n\n\n

A TENDER THING<\/a> <\/strong>– The Dukes Theatre. Directed by Louie Ingham<\/span><\/p>\n\n\n\n

VIOLENCE AND SON<\/a> –<\/strong> Royal Court. Directed by Hamish Pirie Nominated for Olivier Award 2016 \u2018Outstanding Achievement in an Affiliate’<\/em><\/span><\/p>\n\n\n\n

YER GRANNY<\/a> <\/strong>– National Theatre of Scotland. Directed by Graham McLaren.<\/span><\/p>\n\n\n\n

GOD BLESS THE CHILD<\/a> <\/strong>– Royal Court. Directed by Vicky Featherstone.<\/span><\/p>\n\n\n\n

TOMORROW<\/a> <\/strong>– Vanishing Point\/Cena Contempor\u00e2nea Festival (Brasilia), Tramway (Glasgow), Brighton Festival, Tramway (Glasgow), National Theatre Studio (London). Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

THE BEAUTIFUL COSMOS OF IVOR CUTLER<\/strong><\/a> – Vanishing Point and the National Theatre of Scotland. Winner of the 2014 CATS Award<\/a> for Best Music and Sound. Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

YOUR COUNTRY NEEDS YOU (BUT I DON’T NEED MY COUNTRY)<\/strong><\/a> Directed and conceived by Louie Ingham for The Dukes Theatre<\/span><\/p>\n\n\n\n

DRAGON<\/strong><\/a> – (National Theatre of Scotland\/Vox Motus\/Tianjin People’s Art Theatre, China) Directed by Jamie Harrison & Candice Edmunds. Winner of the 2014 CATS Award<\/a> for Best Technical Presentation.<\/span><\/p>\n\n\n\n

SWALLOWS & AMAZONS<\/strong><\/a> (Theatre by the Lake) Directed by Stefan Escreet.<\/span><\/p>\n\n\n\n

MISTER HOLGADO<\/strong> <\/a>(The Unicorn Theatre) Directed by Matthew Lenton. Winner of 2013’s TMA Award for Best Show for Children and Young People.<\/span><\/p>\n\n\n\n

PRIDE AND PREJUDICE<\/strong><\/a> (Two Bit Classics) Directed by Abigail Anderson.<\/span><\/p>\n\n\n\n

IN A DEEP DARK WOOD<\/strong><\/a> (Gobbledegook\/Moko Dance\/Sadlers Wells) Directed by Frauke Franz.<\/span><\/p>\n\n\n\n

MIDSUMMER NIGHT’S DREAM<\/strong><\/a> (Edinburgh Royal Lyceum) Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

MY SHRINKING LIFE<\/strong><\/a> (National Theatre of Scotland) Directed by Lies Pauwels.<\/span><\/p>\n\n\n\n

WONDERLAND<\/strong><\/a> (Vanishing Point\/Edinburgh International Festival\/Napoli Teatro Festival) Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

MWANA<\/strong> (Ankur\/The Tron Theatre) Directed by Shabina Aslam.<\/span><\/p>\n\n\n\n

SATURDAY NIGHT<\/strong> (Vanishing Point\/National Theatre of Portugal) Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

KNIVES IN HENS <\/strong>(National Theatre of Scotland) Directed by Lies Pauwels.<\/span><\/p>\n\n\n\n

MIRACLE MAN<\/strong> (National Theatre of Scotland) Directed by Vicky Featherstone.<\/span><\/p>\n\n\n\n

EMPTY<\/strong> (National Theatre of Scotland) Directed by Vicky Featherstone.<\/span><\/p>\n\n\n\n

GRIMM TALES<\/strong> (Theatre by the Lake) Directed by Stefan Escreet.<\/span><\/p>\n\n\n\n

THE BEGGAR’S OPERA<\/strong> (Vanishing Point\/Edinburgh Royal Lyceum\/ Belgrade Theatre Coventry) Directed by Matthew Lenton.<\/span><\/p>\n\n\n\n

PIERREPOINT<\/strong> (The Dukes Playhouse) Directed by Kevin Dyer.<\/span><\/p>\n\n\n\n

HAMLET<\/strong> (The Dukes Playhouse) Directed by Louie Ingham.<\/span><\/p>\n\n\n\n

ROBIN HOOD<\/strong> (The Dukes Playhouse) Directed by Joe Sumsion.<\/span><\/p>\n\n\n\n

THE UNSOCIABLES<\/strong> (The Dukes Playhouse) Directed by Louie Ingham.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Mark Melville is an award winning composer and sound designer for theatre, dance and film and trained at Leeds Conservatoire. … Continue reading Credits<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7"}],"version-history":[{"count":261,"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":1166,"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=\/wp\/v2\/pages\/7\/revisions\/1166"}],"wp:attachment":[{"href":"https:\/\/markmelvillemusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}